The New York Times:

"...arouses for a New York audience the empathy of shared experienceand shared healing."

.

"Ms. Giering's music creates the jagged, nervous energy of this post-9/11 world."

.

"Director Jack Cummings III makes impressive use of this cast."

Time Out New York:

"...artfully conceived."

.

"Jenny Giering's score abounds with haunting, wistful ballads."

TheaterMania.com:

"The most heartbreaking and deeply felt musical that will beseen in New York in 2007-2008."

.

"...so enormously satisfying."

.

"...Impeccably sung and well-nuanced performances from Fellner and Ryness."

.

"...Sandra Goldmark's ingeniously conceived set design..."

Broadwayworld.com:

"A hearty bravo to Transport Group for once-again proving that those who complain about the American musical being a stagnant art form are just seeing the wrong musicals."

.

"Exquisitely orchestrated by Mary-Mitchell Campbell."

BackStage:

"Talent galore."

.

"Jazzy, tuneful, and catchy."

CurtainUp:

"The end of the play is rendered with visual perfection."

.

"Both classical and innovative."

Edge New York:

"A beautiful piece, beautifully executed."

.

"Let me encourage you strongly to go and feel"

.

"Blessed with a cast that handles with grace and real humanity"

.

"Remarkable performance by J. Bradley Bowers.  His pure voice is stunningly beautiful."

.

"Blythe Gruda has a glorious singing voice."

.

"Susan Lehman and Kate Weiman glow."

New York Cool:

"I loved this show"

.

"Emotionally gripping and spiritually satisfying."

.

"Extraordinary direction by Jack Cummings III"

.

"I haven't seen such incredible lighting design in any production in years, thanks to R. Lee Kennedy."

.

"Clayton Dean Smith shines"

.

"The beautiful score by Jenny Giering is exquisitely haunting"

.

"Laura Harrington's lyrics seamlessly complement the piece."